![]() It was a cold, cloudy day and the pool wasn’t very nice and clean. By that time I knew these guys we unstoppable and it was kind of cool to see some guys that were gonna make it all the way.Ĭan you describe the mood of the shoot, were the bands members totally ok with getting wet? I shot them a couple months after Nevermind had dropped. What was your favorite memory working on this shoot? I didn’t even know if the album would sell. Were you a fan of Nirvana prior to this shoot, had you heard Bleach? I was pushing myself as an underwater photographer, but I was mostly a photo assistant working on car gigs, brochures for Lexus and Chevy, etc. How was the shoot with Nirvana different than other stuff you were working on at the time? After Nevermind was a big hit, they came back to me to shoot the band underwater. It was a great concept, a baby underwater unable to breath, going after money on a fishhook. I didn’t, and he kept searching and couldn’t find one, so he called back asked me to shoot the cover. He was looking for a picture of a baby underwater and he was hoping I had one. Weddle: I got a call from an art director, Robert Fisher, at Geffen. TIME: First off, can you tell me how you came to be involved with shooting the Nevermind cover and these photos of the band? ![]() The label initially didn’t like the photos, causing Weddle to store them in a closet for a number of years afterward. Not only was the band exhausted from touring, but it was a cold, cloudy day and the last thing they wanted to do was go swimming for a photo shoot. 28, 1991, the shoot proved to be very difficult. In 1991, for the album’s release, underwater photographer Kirk Weddle was hired by Geffen Records to photograph both its album cover, a naked baby underwater, and promo shots of Nirvana hanging out in a pool. Nirvana’s classic album Nevermind turns 25 on Saturday. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |